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There are echoes of J.D. Salinger’s A Perfect Day for Bananafish (1948) in Shirley Petchprapa’s intensely sensual and ethereally beautiful self-financed short film, which wallows in the poetry of the every day, finding the beauty in acts as simple as a man watching television, running a bath, and even just cleaning his teeth, whilst his dog, Roxy – the film’s real star – lolls around with effortless elegance. Iain.Stott
